category: Invited Perspectives

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Intersectionality in Italian histories, cultural products, and social practices

Journal Editorial by Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg

The editorial includes the Editors’ introductions to their respective areas: Nicoletta Marini-Maio announces the topic and guest editors of the Themed Section: “Intersectionality in Italian histories, cultural products, and social practices.” Marini-Maio also highlights the section Collaborations, which hosts discussions and descriptions of current scholarly collaborations. Paola Bonifazio presents the rationale of the Invited Perspectives.

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5.Il dibattito sull’intersezionalità in Italia

by Maura Gancitano

With the advent of social networks, many people in Italy began to know and spread the idea of intersectionality, creating a critical mass that disseminates content on feminism, rights struggles, and the intersection of oppressions. Consequently, people began to spread the idea that the fight against discrimination is a hypocritical whining, the result of an extreme susceptibility and the so-called “dictatorship of the politically correct.” In this article, Maura Gancitano analyzes the debate on intersectionality in Italy.

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6.Intersezionalità, posizionamento e studi critici della bianchezza

by Gaia Giuliani

Intersectionality as an episteme, an epistemology, and a method, is essential to the black feminist project of fracturing Universalism within a feminist debate that is totally dominated by US white feminists. Thus, it is necessary to make the peculiarity of black women’s condition emerge. Within the deconstructive project of postmodern feminism, intersectionality becomes necessary to enable feminist scholars and activists to investigate constructions of normative white heteropatriarchy. In order to understand Italy as a fast-changing context and,

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7.Raccontare e raccontarsi: Angelica Pesarini

by Paola Bonifazio and Angelica Pesarini

In this article, Paola Bonifazio and Angelica Pesarini discuss Pesarini’s short fiction included in Future: Il domani narrato dalle voci di oggi, a collection published by Effequ in 2020 and edited by Italian-Somali writer Igiaba Scego. In their conversation, the author and the reader address questions of literary representation vis-à-vis identity politics, debate how an intersectional approach affects aesthetic choices,

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8.Contrade Ribelli

by Mariana Eugenia Califano

What do the names of streets tell us? What story do they tell, and why do they tell it? Can toxic narratives resulting from revisionism be defused? Contrade Ribelli is a short film, made almost exclusively with archival images from Resistenze in Cirenaica in collaboration with Solipsia, that tells the path of the permanent cultural site in Bologna, the genesis of the odonomastic guerrilla warfare,

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9.All’incrocio tra storia e memoria: Resistenze in Cirenaica

Mariana Eugenia Califano and Jadel Andreetto

Since the birth of nation-states in Europe, the politics of memory and oblivion have played a decisive role in the construction of a national identity, presumably shared by the majority of citizens. The conflict generated between contrasting memories is also expressed in places and their odonyms, in the spaces crossed daily by the selves and others orphaned of a mutual recognition. The toponymy that celebrates a determined event,

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10.An Intersectional Approach to Education

Watch the video contribution

by Valentina Migliarini and Rahma Nur 

The video contribution brings together a leading scholar and a teacher/activist from Europe who adopt an intersectional approach to educational research and practice. Intersectionality illustrated how some people are subject to multiple inequalities how their experience is not just the sum of its parts (Steinmetz, 2020). The conversation recorded in the video attempts to answer the following questions: what does it mean to utilize an intersectional stance to research in the European context?

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gender/sexuality/italy 7 (2020) – Table of Contents

Gender/sexuality/Italy, 7 (2020) 

Nicoletta Marini-Maio, Journal Editor
Paola Bonifazio, Invited Perspectives Editor
Ellen Nerenberg, Open Contributions and Continuing Discussions Editor
Erica Moretti and Colleen Ryan, Reviews Editors
Victor Xavier Zarour Zarzar and Lisa Dolasinski, Managing Editors
Arianna Avalle, Beatrice Basile, Samantha Gillen, Giorgio Losi, Natura Sant Foster, Katherine Travers, Assistant Editors

Table of Contents

Journal Editorial.
NICOLETTA MARINI-MAIO, Dickinson College, 

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Journal Editorial

by Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg

The editorial includes the Editors’ introductions to their respective areas: Nicoletta Marini-Maio announces the topic and guest editors of the Themed Section: “Beside, Besides, and B-sides: Collaborations as Feminist and Decolonizing Practices.” Paola Bonifazio presents the rationale of the Invited Perspectives. details the contents of the Open Contributions and the section Continuing Discussions, which hosts informed voices on themes developed in previous issues of g/s/i.

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7. Side by Side: Female Collaboration in Ferrante’s Fiction and Ferrante Studies

by Stiliana Milkova

This essay proposes that Elena Ferrante’s novels depict female friendship and collaboration as a literal and metaphorical positioning side by side that dislodges the androcentric, vertical hierarchies of intellectual labor, authorship, and (re)production. Further, it argues that the collaborative female practices in Ferrante’s fiction have engendered––or brought to light––collaborative female and feminist projects in Ferrante Studies and outside academia establishing a legacy of creative and authorial women. Thus a double creation of female genealogies is at work within Ferrante’s novels and in the critical field that studies them.

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