gender/sexuality/italy is an online annual, peer-reviewed journal that publishes research on gendered identities and the ways they intersect with and produce Italian politics, culture, and society.
by Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg
The editorial includes the Editors’ introductions to their respective areas: Nicoletta Marini-Maio announces the topic and guest editors of the Themed Section; Paola Bonifazio presents the Invited Perspectives; and Ellen Nerenberg details the contents of the Open Contributions and the section Continuing Discussions, which hosts informed voices on themes developed in previous issues of g/s/i.
This paper parses the discourses of family, the nation and deviance in contemporary Italy. It questions how Italy’s far-right paints both queer Italians and recent immigrants as a dual threat to the proper national family. Queer subjects menace because they are thought too non-reproductive. Foreigners are, instead, considered too reproductive, as immigrants’ birthrates have come to outpace those of Italian-born women. In this logic, the national family is always-already heterosexual and bound to propagate straight,
For both the speech that its characters emit as well as for its ability to convey complexity of language, cinematic dialogue has become a relatively stable indicator for contemporary Italian. Diaphasia (the situational context) and diastratia (references to social and professional status) are foundational axes for linguistic change. This essay examines the language of Perfetti sconosciuti/Perfect Strangers(Paolo Genovese, 2016), highlighting the increased influence of diaphasia on the characters’ social roles and on their linguistic expression.
by Paola Bonifazio, Nicoletta Marini-Maio, and Ellen Nerenberg
The editorial includes the Editors’ introductions to their respective areas: Paola Bonifazio and Nicoletta Marini-Maio discuss the Themed Section and the Invited Perspectives; Ellen Nerenberg presents the Open Contributions and the new section, Continuing Discussions, which hosts informed voices on themes developed in previous issues of g/s/i.
DOI: https://doi.org/10.15781/cj1b-3j07
by Giovanna Cosenza, Jennifer Colombari, and Elisa Gasparri
The paper presents the first results of a systematic and in-depth survey on about 8000 advertisements appeared from February to December 2013, and attempts to identify and characterize the gender stereotypes which can be found in them. Having conducted one of the first semiotic investigations on such an extended corpus, the authors also draw some general conclusions on the possibility, for the contemporary semiotic discipline,
by Marilù Oliva and Nicoletta Mandolini
The term femicide—the physical or psychological annihilation of a woman because she is a woman—has become an extensively used term in the mass media since 2012, following awareness campaigns led by feminist activists in Italy who introduced international theories of lethal gender violence. Contributing to recent discussions on the topic, some forms of artistic narration (literary, theatrical, and cinematic) have attempted to re-dignify stories and victims of femicide that the media has in many cases dismissed.
by Marina Orio
This essay describes the ongoing struggle of the author to change the culture of “tolerance” of women scientists in the academy and the “acceptance of a few exceptional women” into a culture of inclusion and diversity at the National Institute of Astrophysics of Italy (INAF), an endeavor advanced through the adoption of gender-fair language. Language usage in the Italian scientific and academic environments offers a particularly interesting case, given its unusual and complex development.
