by Paola Bonifazio, Nicoletta Marini-Maio, and Ellen Nerenberg
The editorial includes the Editors’ introductions to their respective areas: Paola Bonifazio and Nicoletta Marini-Maio discuss the Themed Section and the Invited Perspectives; Ellen Nerenberg presents the Open Contributions and the new section, Continuing Discussions, which hosts informed voices on themes developed in previous issues of g/s/i.
by Sienna Hopkins
This article explores the divergent representations of girlhood in female commemorative biographies from the early 16th century and the spiritually exemplary biographies of secular women in the late 16th and early 17th centuries. While the commemorative biographies of Battista Sforza, Bianca Maria Sforza and Irene di Spilimbergo follow the traditional tropes of childhood representation for the genre, they nonetheless embody a fuller representation and acceptance of girlhood than that of the later,
by Daniela Cavallaro
The few academic studies which look at the development and goals of the Catholic youth centres known as oratori tend to privilege the oratorio maschile over its all-girl counterpart. This article aims to bring to light the experience of the oratorio femminile as an important moment of socialization and growth for girls, teenagers and young women in the post-World War II years. It first provides a brief introduction regarding the origins and development of the oratory in Italy.
by Viola Ardeni
L’articolo propone un’analisi dell’espressione e rappresentazione dell’infanzia femminile nei due romanzi della scrittrice italo-svizzera Alice Ceresa (1923-2003), La figlia prodiga del 1967 e Bambine del 1990, alle quali Ceresa dà un’originale impronta sperimentale oltre che femminista. Si mostra che l’attenzione all’infanzia femminile sia indicativa non solo di una costante contenutistica delle opere ceresiane, ma costituisca anche una scelta ideologica: una bambina in crescita è, per Ceresa,
by Stephanie Hotz
This essay examines Rita Pavone’s star image and musical films of the 1960s, including a close analysis of two of her most famous musicarelli, Rita la zanzara (Rita the Mosquito, 1966) and its sequel Non stuzzicate la zanzara (Don’t Sting the Mosquito, 1967). While studies on the postwar “woman’s film” have focused primarily on melodramas,
by Elisa Cuter
This paper focuses on Non è la Rai, a TV show aired on Silvio Berlusconi’s broadcasting channels between 1991 and 1994. Through the analysis of the program a connection emerges between three macro-phenomena: postmodern aesthetics; Berlusconism (as a specific and national embodiment of larger concepts like capitalism and neoliberalism) and the fundamental role of “girlhood” in the first two. In particular, it proves that the neoliberal strategy could not have been effective without an unprecedented increase in the importance of the symbolic category of girlhood in Italian society,
by Nicoletta Marini-Maio
The editorial describes the genesis and structure of g/s/i 3, 2016. The author contextualizes the theme of gender and language making reference to the Anglophone world and the romance languages. She briefly discusses the contemporary debate on gender and language in Italy, drawing examples from gender markers in job titles in the Italian public discourse. She emphasizes how the current issue of g/s/i goes beyond the heteronormative framework.
by Michela Baldo, Fabio Corbisiero, and Pietro Maturi – Guest Editors
The guest editors’ introduction to the themed section focuses, on the one hand, on the resources that languages can draw on in order to adapt the use of grammatical gender to account for more equal relationships between men and women, and on the other hand on the fact that the use of the so-called “neuter masculine” in political and everyday discourses and in languages such as Italian,
by Chiara Nardone
La presente ricerca si propone di analizzare se e in quale misura alcuni dei sostantivi femminili designanti ruoli e professioni siano ancora caratterizzati da un’asimmetria semantica peggiorativa rispetto ai corrispettivi maschili. L’analisi è stata effettuata su itWaC, uno dei corpora più ampi disponibili per la lingua italiana e si è concentrata in primo luogo sul numero di frequenze e sui collocati dei sostantivi analizzati. I risultati dimostrano che effettivamente i sostantivi segretaria,
by Stefania Abis and Paolo Orrù
The perception of femicide and violence against women has known a constant evolution in recent years; both mass media and political and social actors tried to raise awareness on the issue. According to Diana Russell’s definition (the killing of females by males because they are females), femicide has to be considered as a social and political fact and not just as ordinary crimes: it represents extreme manifestations of male dominance over female.