12. The Works of Elena Ferrante: Reconfiguring the Margins
Book Review: The Works of Elena Ferrante: Reconfiguring the Margins by Grace Russo Bullaro and Stephanie Love (editors)
By Stefania Lucamante
DOI: https://doi.org/10.15781/1rbs-pe76
gender/sexuality/italy is an online annual, peer-reviewed journal that publishes research on gendered identities and the ways they intersect with and produce Italian politics, culture, and society.
Book Review: The Works of Elena Ferrante: Reconfiguring the Margins by Grace Russo Bullaro and Stephanie Love (editors)
By Stefania Lucamante
DOI: https://doi.org/10.15781/1rbs-pe76
Book Review: Encounters with the Real in Contemporary Italian Literature and Cinema by Loredana Di Martino and Pasquale Verdicchio (editors)
By Melina Masterson
DOI: https://doi.org/10.15781/5sbf-cf40
Book Review: Gender, Narrative, and Dissonance in the Modern Italian Novel by Silvia Valisa
By Silvia Boero
DOI: https://doi.org/10.15781/40ye-m561
Book Review: The Maciste Films of Italian Silent Cinema by Jacqueline Reich
By Antonio Iannotta
DOI: https://doi.org/10.15781/81dv-g255
Book Review: Naples’ Little Women: The Fiction of Elena Ferrante by Lisa Mullenneaux
By Victor Xavier Zarour Zarzar
DOI: https://doi.org/10.15781/fsph-1404
Book Review: Italian Political Cinema: Public Life, Imaginary, and Identity in Contemporary Italian Film by Giancarlo Lombardi and Christian Uva (editors)
By Alberto Luca Zuliani
DOI: https://doi.org/10.15781/qddk-me29
Book Review: Italy’s Other Women: Gender and Prostitution in Italian Cinema, 1940–1965 by Danielle Hipkins
By Gloria Pastorino
DOI: https://doi.org/10.15781/02tf-x423
Book Review: Italian Style: Fashion & Film from Early Cinema to the Digital Age by Eugenia Paulicelli
By Rebecca Bauman
DOI: https://doi.org/10.15781/sgzj-gy02
Book Review: Textual Masculinity and the Exchange of Women in Renaissance Venice by Courtney Quaintance
By Chiara Girardi
DOI: https://doi.org/10.15781/3qck-wy23
Book Review: Annie Chartres Vivanti: Transnational Politics, Identity, and Culture by Sharon Wood and Erica Moretti (editors)
By Silvia Valisa
DOI: https://doi.org/10.15781/cdad-wn81