Tag: femininity

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2. Contro il dominio del canone eterosessista. Una rilettura queer del personaggio di Turandot

Contro il dominio del canone eterosessista. Una rilettura queer del personaggio di Turandot

by Marta Riccobono

This article proposes a re-reading of the literary character of Turandot through the perspective of gender studies and queer theory, with particular reference to the works of Judith Butler and Eve Sedgwick. The tragicomedy Turandot, brought to the stage by Carlo Gozzi in 1762, and the homonymous Puccinian melodrama, represented for the first time at the Scala in 1926,

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3. Blue-Haired-Girl Mnemonic: Italian Sci-Fi Nirvana

Blue-Haired-Girl Mnemonic: Italian Sci-Fi Nirvana

by Roberta Tabanelli

This article analyzes the science fiction Italian film Nirvana (1997) directed by Oscar-winning Gabriele Salvatores. Specifically, Tabanelli proposes a gendered reading of the film focused on the character of Naima, a female hacker with blue hair and an implant in her forehead. The author claims that Nirvana’s closing scene, and in particular the last photogram, by re-configuring the characters’ roles in the story,

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9. Lo spazio pubblico si femminilizza, ma scompare il conflitto tra i sessi

Lo spazio pubblico si femminilizza, ma scompare il conflitto tra i sessi

by Lea Melandri

“Feminizing the public space” does not only mean highlighting women’s presence therein, but also realizing that “femininity,” as it has been traditionally defined, is strongly relevant today in the same space from which it was excluded for centuries. According to Melandri, in the last twenty years, some ambiguous figures have appeared in Italy: veline,

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Voracious Dolls and Competent Chefs

Voracious Dolls and Competent Chefs: Negotiating Femininities and Masculinities in Italian Food Advertisements of the 1990s-2010s

by Francesca Calamita

Food advertisements on Italian television and other media are populated by glamorous angels of the house, who look after their families by nourishing them with healthy food, or voracious dolls, whose appetite recalls sexual hunger. Similarly, men are depicted as breadwinners, thus reinforcing their stereotypical role in the collective imaginary,

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Il doppio fantastico in La doppia ora

Il doppio fantastico e la decostruzione del femminino in La doppia ora 

di Andrea Bini

L’articolo esplora il tema dell’inconscio e del fantastico nel film di Giuseppe Capotondi, La doppia ora (2009) allo scopo di riflettere sulla corrispondenza tra mascolinità, femminilità e forme narrative. In particolare, si mostra come il personaggio maschile, ossessionato da una mania di controllo della realtà, proietti la propria ansia di castrazione sulla femme fatale,

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