category: Open Contributions

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16. Matteo Garrone’s Gomorra: A Politically Incorrect Use of Neapolitan Identities and Queer Masculinities?

Matteo Garrone’s Gomorra: A Politically Incorrect Use of Neapolitan Identities and Queer Masculinities?

by Marcello Messina

Taking as a starting point John Champagne’s recent argument about the queer representations of Italian masculinity contained in Garrone’s Gomorra, this paper aims to connect the queer masculinity of the film’s characters with the negative judgement on their lives and actions suggested by the film. In particular, it will be argued that queerness is used alongside the Neapolitan-ness of the characters to portray them as Others,

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17. Subverting Masculinity or Suppressing the Unmanly? Gender Alterity in Palazzeschi and Capuana’s Treatment of the Incorporeal Man

Subverting Masculinity or Suppressing the Unmanly? Gender Alterity in Palazzeschi and Capuana’s Treatment of the Incorporeal Man

by Martina O’Leary

“Subverting Masculinity or Suppressing the Unmanly?” presents a critical examination and comparison of unreal corporeal depictions of masculinity in Palazzeschi’s Il codice di Perelà and Capuana’s ‘L’invisibile’. These works present strikingly similar protagonists, who themselves affirm the attribute of lightness to be their defining characteristic, and who are made of,

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